What Would Sholem Aleichem Do?

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I stand in a small park, near the Kiev’s Brodsky Choral Synagogue, resting on my cane and waving my fedora at all that pass.

I’m back in the land of my birth.

I’m close enough to the Brodsky to witness the smiles of white-gowned brides and handsome grooms dressed in black tuxedos.

I relish watching the smiling kinder leaving bar/bat mitzvahs carrying bags of candy.

Most of these 13-year-olds know my name.

In school, they’ve read, “Tevye the Milkman” and watched “Fiddler on the Roof.”

Thousands of tourists take selfies with me, the Jewish Mark Twain, in the background.

I think:

How many times have I heard the not-so-wealthy traveler look at his wife and belt out “If I Were A Rich Man;”

How many times have I heard a single woman look at her boyfriend and sing, “Match maker, match maker, make me a match;”

How many times have I heard the religious chant my name-sake song to the melody written by Rabbi Israel Goldfarb;

How many times have playwrights touched my cold shoes, hoping, as if by osmosis, my talents would flow into their veins, like ink entering a fountain pen.

Some Jews greet me with a hardy, “Shalom Aleichem (Peace be upon you).”

My tight bronze lips want to reply, “Aleichem Shalom (Unto you peace).” But I am speechless.

You may think on one hand, “Sholem, it seems like you have a pretty nice existence in this Ukrainian park.”

But on the other hand, not aliz gut in my Kiev neighborhood.

Of course, there are pigeons.

And where there are pigeons, there are pigeons feeders.

All day and all night, these unbalanced souls come to feed the birds, talk to me and stare into my eyes.

These meshugenahs recite in Yiddish or Russian or Ukrainian, their long list of tsuris — as if talking to Yiddish author will get their prayers answered.

They tell me of long, lost loved ones who have wronged them:

Of children that have failed them;

Of lovers that have spurned them;

Of parents that loved their siblings more than them.

Endlessly, they kvetch, and kvetch and kvetch.

How I want to say, “Gay avek foon mir.”

Go tell it to your rabbi.

But I remain silent as if I were made of stone.

But today my silence ends.

I’m pissed off.

Some bastards painted a red swastika across my scarf and coat.

WTF— it’s 5780.

Aren’t the days of Ukrainian pogroms and Babi Yar over?

Haven’t these antisemitten learned anything?

When will they ever learn?

What a shonda!

When will this dreck stop?

I hate these mamzurs.

I want to give them such a klop on their heads—but my arms are frozen.

In the dead of night, two punks pull out of their black leather jackets spray cans of red paint.

I hear one say, “We’ll teach this Zhid writer and his followers the meaning of hate and fear. We too have our traditions.

Just like my grandfather did, when he cut swastikas into their chests.”

The other curses, “Death to all f’ing Zhids.”

How the red paint and their words sting.

How I want these red stains scrubbed off of my clothing.

How I want to say, “Gay avek foon mir. Enough is enough.

Crate me up and ship me to the safe confines of New York City.

On the other hand, maybe Israel is a bissel better.

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December 6, 2019

“Know About Us” Music Video Selected to be included in Indian Film Festival

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“Know About Us” Music Video Selected to be included in Indian Film Festival

The music video “Know About Us” was selected by Goa Short Film Festival to be screened in India.

Congratulations to the “Know About Us” team– Director Blake Laitner, Camera—Michael Blackman, The Stars—Def Davyne (Desmond Elias Ford) and LoLoRae (Lauren Dillinger)

for their selection into another film festival.

Here is Goa’s selection process:

Winners are selected by a judging panel of industry professionals consisting of independent producers, production companies, filmmakers, and other film industry professionals.

All films are judged based on:


Content Originality (Quality of storyline, and script)
Production (Camera work, lighting, and shot composition)
Post-Production (Editing, transitions, pacing, continuity, and flow)
Image (Focus, color, and lighting)

This makes the ninth film festival acceptance of their music video:

 1. A semi-finalist at the Australian Independent Film Festival;

2.  Viewed at Silver Screen for Short Films Festival based out

     of St. Petersburg, Florida;

3. Accepted to the NYC Aphrodite Film Festival;

4. Accepted to Top Indie Film Awards;

5. Shown at Move Me Productions Belgium—Short Film Festival;

6. Accepted at the Near Nazareth Film Festival;

7. Top Indie Film Awards has selected “Know About Us” to be included in their festival;

8. Selection to be included in the Mozi/Motion Film Festival;

9. Goa Short Film Festival in Goa, India.

Pretty impressive:

Four continents—-North America, Asia, Europe and Australia;

Seven  nations—Netherlands, USA, Israel, Italy, Belgium, India and Australia;

One Finalist and two semi-finalist awards so far—Aphrodite Film Awards and Australia Independent Film Festival.

Blake Laitner said, “We are honored to have our music video selected in the land of the Taj Mahal, great curries, sitars and elephants.”

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November 13, 2019

“I Gotta Feeling That Tonight’s Gonna Be A Good Night” by Mort Laitner

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“I Gotta Feeling That Tonight’s Gonna Be A Good Night”  by Mort Laitner

The first night of Hanukkah, I sit at the dining room table admiring my family, smelling the latkes, and staring at the menorah—

a silver menorah with a six-branched star centered within its stem.

A menorah sans candles.

My thumb and index finger rub two Hanukkah candles—one blue and one white.

Instead of listening to, “I Have A Little Dreidel” the Black Eyed Peas “I Gotta Feeling” fills the air.

I gotta feeling that tonight’s gonna be a good night
That tonight’s gonna be a good night
That tonight’s gonna be a good, good night

But I got a gut feeling that tonight’s not gonna be a good night.

I insert blue candle in its holding cup.

I strike the match, smell the sulfur and light the white shamash (The servant).

I announce, “By obeying one of G-d’s commandments, I am his servant. I chase away the forces of darkness. I kindle kosher candles as the Maccabees lit the temple oil thousand of years ago.”

My children recite the blessings.

I think, “This is going to be a good year— no wax lands on my fingers.”

But something is different.

Something is wrong. 

The candle flames flutter faster than usual.

I raise my voice, “These candles will not last for the required thirty minutes. We’ll be lucky if they last for five. We will not have thirty minutes to bask in the glow of these festival lights. We will not have time to linger and contemplate their meaning.”

The flames fly off the wick as if they are being chased by a dybbuk.

The wax melts faster than a mouth full of hot latkes.

Since no air conditioner fans these flames, I ask, “Are their interiors hollow? Are they made of a cheap paraffin?”

Heads nod in agreement with my analysis.

I grab the box that once contained 44 candles.

Affixed to the lid, a small white sticker reads, “99¢.”

I scream, “99¢! Who made these fast-burning, cheap demonic candles?”

A photo of a silver menorah covers of the front of the box and I search for clues.

On each side of the shamash the candles are lined up: red, green, yellow, and blue.

Noting that my two candles have burnt past their mid-point, I curse,” What a shonda! A total disgrace!

Serious nods of agreement follow my words.

“Who designed this box?  Look at the bottom of the box. Hidden next to the bar code, it says, ‘Caution! Never leave burning candles unattended.’

 This is a warning that will never be read. These fast burners are fire hazards.

They’re 44 demons waiting to burn down an innocent Jewish home.” 

Looks of concern surround the table.

My eyes follow the train tracks painted on the bottom front panel of the box.

 The tracks lead to the words, “Chanukah Express.” 

I study the train.

 A dreidel-shaped, white-capped engineer smiles and waves at me.

 The train engine billows a cloud of blue smoke from the flame of one candle.

 Three attached box cars follow— holding dreidels, gelt and a menorah.

The caboose possesses a red dreidel, wearing a black hat who also waves at me.

 Is this black hat the dybbuk of the candle box? Is this Express headed to the gates of Hell?

“Were these candles purchased at Bed, Bath and Beyond?—for 99¢ less 20% with the coupon?

No wonder they won’t last longer than a few minutes.

Look what it says at the bottom of the box, ‘Made in China.’

 What do the Chinese know about manufacturing Hanukkah candles?

Kreplach pretty good—Hanukkah candles nothing!”

Within another minute the candles are gone.

Wisps of black smoke rises toward the ceiling.

My eyes follow the smoke.

 “Dad, aren’t you taking this candle-lighting tradition a bit too seriously?”

Pointing at the menorah, I say, “Son, this menorah represents a tree.

A tree with a sturdy stem at its center.

 A tree with four branches on the right and four branches on the left.

A tree with a ninth branch which holds the shamash.

This candelabra represents our tree of life.

A Jewish tree of life that has burned so much longer than expected.

Just like the miracle of the little lamp which also burned so much longer than expected.

So have the people of Zion.

My ears meet with loving silence.

 Having made my point, I smile and focus on the background music.

 I stand, raise my wine cup and join the Black Eyed Peas,

 “Fill up my cup

Mazel Tov—L’Chaim

Cause I gotta a feeling that tonight is gonna be a good night.”

Special thanks to some of the words and thoughts of Theodore Herzl—“The Menorah”(1897) and the Black Eyed Peas.

64. Thumbs up. Nice job.—Indrajeet

65. Thumbs up.—Sue

66. Thumbs up. Made me smile.—Randi

67. Thumbs up.—Barack

68. Thumbs up.—Dell

69. Thumbs up.—Steven

70. Thumbs up.—Candace

71. Thumbs up.—Laurie

72. Nice job! Your Tweet is getting noticed and has been viewed 33 times.

73. Thumbs up.—Frank

74. Thumbs up.—Prechucham

75.—Thumbs up.—Chana

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November 12, 2019