We received good news a few days ago. The Sittannavasal International Film Festival has selected the Totally Mind Blowing (TTMBS) TV pilot as an award winner. For those who are counting, this is Blake’s second win. Both of our awards come from Indian film festivals.
Flashback on India: I remember that as a hippie in the Sixties reading Siddartha by Hermann Hesse (“Knowledge can be communicated, but not wisdom.”) was required reading and as I read, I was blown away.
And now I’m reading about the Sittannavasal International Film Festival’s who’s goal is to promote good films from around the world. And having selected TTMBS they certainly know how to promote good films.
When I promote TTMBS, I find one of the joys of writing these blogs is studying the festival site and learning the history and culture of the region.
Here’s a bit of info that Google taught me:
Sittanavasal is a small hamlet in Pudukkottai district of Tamil Nadu, India. It is known for the Sittanavasal Cave, a 2nd-century Jain cave complex. From the 7th to the 9th century A.D., the village flourished as a Jain centre.
The Sittanavasal Cave,is a Jain monastery of the 7th century, small in size, excavated in a bluff on the western slope of the hill in its centre. It is noted for its paintings which have been painted in fresco-secco technique with many mineral colours. The painting themes depict a beautiful lotus pond and flowers, people collecting lotuses from the pond, two dancing figures, lilies, fish, geese, buffaloes and elephants.[10] Mulk Raj Anand said of the paintings, “Pallava craftsmen used greens and browns and puqiles, with a genuine ability and a lyrical flow of line. Lotuses spring up from imaginary ponds amid variegated greenery, under a bluish sheen.” In addition, inscriptions of the 9th and 10th century are also seen. The exquisite ceiling of the Ardhamandapam is decorated with murals from the 7th century. The cave temple has placid pillars and sculptures of Jain Tirthankaras. However, most of the frescoes which were covered fully in plaster have been severely defaced or not clearly visible due to inadequate security and maintenance resulting in vandalism in the past five or six decades. Originally, the entire cave temple, including the sculptures, was covered with plaster and painted. The paintings are on the theme of Jaina Samavasarana, the “most attractive heavenly pavilion”, referring to the attainment of Nirvana and Khatika bhumi.
Who knew?
As I study this Indian art form, I fall in love with the dancing figure (see above) and her coyish smile, her ankle and wrist bracelets, her ample bosom, her perfectly rounded buns, and her naked back and find this pastel painting as mind-blowing as winning another award and entering a heavenly pavilion in Nirvana.
Now that’s wisdom.
